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TĀWHAKI AND THE CHILDREN OF TĀNE

Birds are mentioned frequently in Māori folklore, perhaps because they were one of the few creatures, alongside the Māori, to inhabit pre-colonial New Zealand. The Māori consider the birds to be tapu (sacred), and under the guardianship and protection of Tāne, the God of the forest. 

 

During the colonial period museums and taxidermy were introduced. The assumed superiority of the western culture led to the suppression of indigenous beliefs and traditions. The European’s hunted and killed birds for their archives and to trade, and did not yet acknowledge the necessity of conservation. This inevitably led to the extinction and endangerment of many species during this era. 

 

Critiquing the encounters between indigene and bird, indigene and colonizer, colonizer and bird, and the role of the museum, allows me to explore cultural hybridity in New Zealand and connect with Aotearoa’s natural and social heritage. 

Sophie Foster, 2017. Tama (Boy). Oil on ply [800 x 800mm]. Collection of the artist. 

Sophie Foster, 2017. Kumukumu (Lizard). Oil on ply [800 x 800mm]. Collection of the artist.

TĀNE

Tāne is the ancestor who creates the world by separating his parents, Rangi the sky parent and Papa the earth mother. 

 

Tāne is father to all birds, plants and humans.

LB8968 (Koekoeā egg), 2017.
394 (Huia skull), 2017.
22339 (Kōtuku wing), 2017.
13430 (Koekoeā feathers), 2017.
LB14708 (Huia feather), 2017.
DM7328 (Kōtuku egg), 2017.
09449 (Huia beak), 2017.
013261 (Koekoeā wing), 2017.
S.050003 (Kōtuku bone), 2017.

© 2017 by Sophie Kate Foster. Proudly created with Wix.com.

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